radiomaru:

Scott Pilgrim Vol 1, Page 158 revised edition

When I first did this page, I literally had to draw it in about 10 minutes. The originally printed version is a copy/pasted panel 4 times with stuff added via wacom, which is a comics technique I have long held to be cheap as hell.

Anyway, when it came time to colorize this volume, I took the opportunity to redo this sequence in a stronger way. It’s 7 panels instead of 4, and now we see Scott’s reactions to Ramona as her head starts glowing. The original copy/pasted panel is still used as panel 3 (but was re-inked).

Ah gawd. So great. If you haven’t picked up the color version of SCOTT PILGRIM’S PRECIOUS LITTLE LIFE, Volume 1 of the Scott Pilgrim series, recently completely remastered in glorious color, in hardcover, with extras…. you are missing out.

It’s like JAWS on Blu Ray. What are you waiting for?

delbertshoopman:

MB DL Wedding Vignettes [08/18/2012]

Possibly the greatest, coolest wedding I’ve ever been to.

I only wish Del had captured me stuffing a plateful of fried macaroni and cheese balls in my mouth shortly before midnight.

(Anyone who doubts my skills as an awful dancer, the 35 second mark of this video is for you.)

idwcomics:

As per always, Zac Gorman does not disappoint!  I think that’s kind of how we all felt about Game Genie back when.
pizza-party:

Met the dude who drew this comic (and many other rad ones) over the weekend. He was a cool dude. TRUE STORY.
idrawnintendo:

Game Jinn.



You know what modern life is missing? GAME GENIE.

idwcomics:

As per always, Zac Gorman does not disappoint!  I think that’s kind of how we all felt about Game Genie back when.

pizza-party:

Met the dude who drew this comic (and many other rad ones) over the weekend. He was a cool dude. TRUE STORY.

idrawnintendo:

Game Jinn.

You know what modern life is missing? GAME GENIE.

I Already Tweeted This Quote But I Still Love It - (The Newsroom, Episode 4: I'll Try to Fix You)

  • Lisa: I’m sure he’s nice, but I don’t think I’m in the mood for a fix-up.
  • Don: Why not?
  • Lisa: I don’t know, I’m just coming off a relationship.
  • Don: ....Of 10 days. I’ve bought milk before your relationship started that was still good to drink after it ended.
  • Lisa: I don’t think so.
  • Don: No, it’s true. I can show you the milk.
"I have always been very open and honest about this part of my life with my friends, my family, and my colleagues. In a perfect world, I don’t think it’s anyone else’s business, but I do think there is value in standing up and being counted. I’m not an activist, but I am a human being and I don’t give that up by being a journalist."

The key quote from Anderson Cooper’s letter to Andrew Sullivan where he admits that he’s gay. (via shortformblog)

I’ve always loved Anderson Cooper. He’s a class act in a business without a lot of class, as his competitors on other networks constantly remind us. With Brian Williams, he’s probably the last great American newsman. They’re a dying breed in a dying field, and it’s always nice to see them inject some journalism back into the news. (Even if, with Anderson’s new eponymous show, he’s clearly moved into entertainment.)

So bravo, Anderson Cooper. Bravo.

(via shortformblog)

radiomaru:

the 2nd panel here is one of the first backgrounds i remember my assistant John Kantz drawing.
I was like OOOOOOOMMMMMMMMGGGGGGGGG

Scott Pilgrim will never not be relevant to my life.

radiomaru:

the 2nd panel here is one of the first backgrounds i remember my assistant John Kantz drawing.

I was like OOOOOOOMMMMMMMMGGGGGGGGG

Scott Pilgrim will never not be relevant to my life.

(Source: cutterpillar)

(via pelekai)
Too exhausted to tumblr anything except this.

(via pelekai)

Too exhausted to tumblr anything except this.

(Source: texaspoontappa10)

via slightlyundead:

Crosby, Stills, and Nash - Southern Cross

So this is my all-time favorite song. I couldn’t tell you why, I just know that it is. People always ask what it is, I tell them “Southern Cross” by Crosby, Stills and Nash, and they just look at me. And they ask why. And I can’t explain.

But this song just takes me there.

This is clearly a live version, but they just sound so incredible. You can spotify the album version here.

It’s probably the idea and themes of sailing and the tropics and just getting away/escaping from your problems; of going all over the world looking for that one girl, of not finding her, of never giving up; of failing again and again. You try and fail and try and fail and you just keep going.

In a noisy bar in Avalon I tried to call you
But on a midnight watch I realized why twice you ran away

See, you get across the ocean to a shitty dive bar and you try to save a relationship and then you realize, fuck, what’s the point? But then you get saved by the idea of something else, of someone else, of someone out there you don’t know and haven’t met and whom, realistically, doesn’t exist, but the idea of her does, and it saves you. So you keep going. Or not. Whatever. It’s a song.

When you see the Southern Cross for the first time
You understand now why you came this way
‘Cause the truth you might be runnin’ from is so small
But it’s as big as the promise, the promise of a comin’ day

So I’m sailing for tomorrow my dreams are a dyin’
And my love is an anchor tied to you tied with a silver chain
I have my ship and all her flags are a’ flyin’
She is all that I have left and music is her name

“She is all that I have left and music is her name”, god, what a great line.

And of course, there’s this:

So we cheated and we lied and we tested
And we never failed to fail it was the easiest thing to do
You will survive being bested
Somebody fine will come along make me forget about loving you
At the southern cross

“We never failed to fail, it was the easiest thing to do.” That’s the harsh truth of reality, right there.

And then it’s followed by “Somebody fine will come along make me forget about loving you.”

And damn. What a kiss off that is.

I’ve always said that if I just outright fail at life, if by the time I’m like 40 and not where I want to be, and just not enjoying what I’m doing, unmarried and bitter and sick of it all, then I’m just going to abandon it all, move to the Florida Keys or an Island in the Caribbean and just set up shop, open a bar, get a boat, and just forget about life and take to the waters.

This song makes it all seem probable and willing and necessary.

Like it’s how life is supposed to be, and I’m just fighting it by not doing it yet. 

Anyways, I love this song, every time I listen to it it’s like I’m hearing it for the first time, and I always listen to it two to three times in a row. It’s a beautifully sung song, it’s a well-written song, it’s a great sounding song, it’s my favorite.

This is my favorite.

This is my favorite.

(Source: darvillain)

littletribeofbishops:

Wartime Correspondence: Jeff Winger and Annie Edison

Annie Edison provides humanitarian relief for both sides. Her text conversations with Jeff Winger give us a glimpse beneath the cushions of war, to the lost pennies and grody Q-tips of war’s emotional toll.

I mean, genius.

(Source: ettabishop)

"The problem with Sports Night was never the idea, or the writing, or even the ensemble. It was the fact that the series was a premium cable show trying to fit into the network era sitcom mold. Had Sports Night made the shift to a network like HBO or Showtime (Sorkin was offered the chance, but passed in order to work on The West Wing), perhaps it could have had the proper support to grow into the series it was striving to be: a provocative, borderline offensive, slightly academic look at the truth behind the glossy newscasts (sports or otherwise) that we enjoy on a nightly basis. (…)
The Newsroom can be the series Sports Night always hoped it would be."

Why It’s Okay If ‘The Newsroom’ Is ‘Sports Night’ 2.0, by Kelsea Stahler (via fuckyeahthenewsroom)

Annual series rewatch of Sports Night starts…. now.

Also, re: the comment about not taking Sports Night to pay-cable, it should be noted that he was writing season two of SN and season one of The West Wing simultaneously, which is all sorts of crazy and all sorts of genius:

“When I create a TV show, it’s so that I can write it,” he said. “I’m not an empire builder; my writing staff is usually a combination of two kinds of people—experts in the world the show is set in, and young writers who will not be unhappy if they’re not writing scripts. A lot of members of the Writers Guild are not happy that I write all the episodes. But writing is something that I do by myself.” When Sports Night and The West Wing were on the air simultaneously, Sorkin would write the half-hour comedy Friday through Sunday, and then concentrate on the hour-long drama Monday through Thursday. “Being up against the wall seems to work for me,” he said.

(Source: hollywood.com, via fuckyeahthenewsroom)

So much truth.
Lately it seems all conversations are about the conversations about growing old. Marriage, kids, job security, growing up, are we really where we want to be doing what we want to be doing… And as I step closer and closer to thirty (twenty odd days left, fuck), it’s conversations like these, and avoiding these conversations, and just questioning it all, that keep me up at night.
That and the fact I had a doughnut a few hours ago.

So much truth.

Lately it seems all conversations are about the conversations about growing old. Marriage, kids, job security, growing up, are we really where we want to be doing what we want to be doing… And as I step closer and closer to thirty (twenty odd days left, fuck), it’s conversations like these, and avoiding these conversations, and just questioning it all, that keep me up at night.

That and the fact I had a doughnut a few hours ago.

(Source: fuckiminmy20s)

“When you ask what makes us the greatest country in the world-“

I really can’t wait to see Jeff Daniels, long an underrated dramatic actor, chew threw Sorkin’s scenes. Gawd. June 24th can’t get here fast enough.

(via fuckyeahthenewsroom)

"It’s an appealingly pessimistic approach for Sorkin. The West Wing, at one of the darkest moments in American history, pretended that everything was hunky-dory in Washington, and the White House was full of good folks trying to do the right thing. But The Newsroom seems to be about the here and now. The joke is in the first title card: the stalwart of TV news has “1.1 million nightly viewers.” That’s all? The viral rant probably got more hits."

The Newsroom trailer hints at a new pessimism from Aaron Sorkin | Culture | guardian.co.uk

(via fastbloodfastblood)

Anyone who watched til the end of Studio 60 knows full well how appealingly pessimistic Sorkin can be.

(via fuckyeahthenewsroom)

radiomaru:

scott pilgrim returning in full color with remastered art at a new larger trim size in beautiful hardcover editions!
colors by Nathan Fairbairn.
here’s an interview about it

WHAAAAAAAAAAAAAAAAAAAAA?????????????

radiomaru:

scott pilgrim returning in full color with remastered art at a new larger trim size in beautiful hardcover editions!

colors by Nathan Fairbairn.

here’s an interview about it

WHAAAAAAAAAAAAAAAAAAAAA?????????????