mizzkatonic:

thedailyfeed:

This is the speech President Richard Nixon was prepared to give in case Apollo 11 did not safely return. 

Luckily, it was never needed. RIP Neil Armstrong

Whoa!

IN EVENT OF MOON DISASTER.

There’s your pilot logline, folks, in five words.

(via neil-gaiman)

"Tonight, on the planet Mars, the United States of America made history."

Statement by the President on Curiosity landing on Mars

I’m reminded, as I often am when it comes to mankind’s space race, of these words:

“We set sail on this new sea because there is new knowledge to be gained, and new rights to be won, and they must be won and used for the progress of all people.”

Tonight we went to Mars. What’s next?

Found this the other day, from the first time I saw Coldplay, at the OKC Civic Center in 2003, on their “Rush of Blood to the Head” tour. (Yes, that’s Orchestra. 5th row.)
Those scribblings are the bands’ signatures, after my friend Kathy bribed a local radio DJ with a bottle of Wild Turkey to give us backstage passes for a band meet-and-greet after the show.
That concert was also the first time I met Wayne Coyne of The Flaming Lips.
That concert was also recorded by a friend, and I still listen to it, and it’s still one of the greatest shows I’ve ever been to.
…Too bad MYLO XYLOTO sucks. (insert disappointed emoticon face.)
(This post has been sitting in my drafts folder for a few months, but I figure, since Coldplay are playing the Hollywood Bowl tonight, and in theory I’m supposed to be there, though I’m not, but that’s neither here nor there, that I can post it now and it’ll be relevant.)
Coldplay is one of those divisive bands, either loved or hated, though I think most of the haters can even agree A Rush of Blood To The Head was a great album.
And they’ve come into my life at times when I’ve really needed them, even if, like some music, they’re better at the time you’re listening to them than they are when you look back.
Case in point: their X&Y album, which was released the summer I had moved to California. I was alone, knowing nobody, working the most shitty of shitty jobs just to get by, separated by everyone and everything I knew by thousands of miles.
So I had been in California for a few months when X&Y dropped, and though I wasn’t a fan of “Speed of Sound” at first, I fell into the rest of the album, and caught them in LA twice that tour, singing loudly along to “Fix You” and “Talk” and “Swallowed In The Sea” like everyone else mesmerized by all things Chris Martin. That guy can write a sing-along sad song like nobody else. And they were exactly what I needed.
And then, the more you get into X&Y, and the more you listen to their other records, and the longer time is spent away from X&Y, you realize that X&Y is a hard album to come back to.
Though, still, I’ll rank it above Mylo Xyloto. X&Y has the hooks in every song, some have more than one, and that’s something I can’t say for anything on Mylo. But good songs need more than good hooks, in theory.
But, that summer and fall, as I was killing myself to live in California, Coldplay was one of the bands there for me.
And before that, both A Rush of Blood To The Head and Parachutes was vastly important to my getting over some incredibly tough times in college, bookending my time at OU. 
And even Viva La Vida was a necessary drug when it hit in 2008, and I remember getting home to LA from a few weeks away on a work shoot, landing at the airport, and heading straight to the Forum to catch the Viva La Vida tour stop. 
(I was in New York when the Prospekt’s March ep dropped, and I remember walking through Central Park in November listening to “Life In Technicolor ii” and loving it.)
So when Mylo hit, and it just laid there, flat, like a dead mouse the cat drug in, I didn’t know what to do. Throw it away? Pretend it’ll get better? 
I admit I haven’t gone back to it, since the first few attempts to slog through it. Maybe I’m missing something. (I’m not.)
But, in any event, even though I am not a fan of the new album, they still remain a perennially favorite band, and I can listen to A Rush of Blood To The Head over and over forever.

Found this the other day, from the first time I saw Coldplay, at the OKC Civic Center in 2003, on their “Rush of Blood to the Head” tour. (Yes, that’s Orchestra. 5th row.)

Those scribblings are the bands’ signatures, after my friend Kathy bribed a local radio DJ with a bottle of Wild Turkey to give us backstage passes for a band meet-and-greet after the show.

That concert was also the first time I met Wayne Coyne of The Flaming Lips.

That concert was also recorded by a friend, and I still listen to it, and it’s still one of the greatest shows I’ve ever been to.

…Too bad MYLO XYLOTO sucks. (insert disappointed emoticon face.)

(This post has been sitting in my drafts folder for a few months, but I figure, since Coldplay are playing the Hollywood Bowl tonight, and in theory I’m supposed to be there, though I’m not, but that’s neither here nor there, that I can post it now and it’ll be relevant.)

Coldplay is one of those divisive bands, either loved or hated, though I think most of the haters can even agree A Rush of Blood To The Head was a great album.

And they’ve come into my life at times when I’ve really needed them, even if, like some music, they’re better at the time you’re listening to them than they are when you look back.

Case in point: their X&Y album, which was released the summer I had moved to California. I was alone, knowing nobody, working the most shitty of shitty jobs just to get by, separated by everyone and everything I knew by thousands of miles.

So I had been in California for a few months when X&Y dropped, and though I wasn’t a fan of “Speed of Sound” at first, I fell into the rest of the album, and caught them in LA twice that tour, singing loudly along to “Fix You” and “Talk” and “Swallowed In The Sea” like everyone else mesmerized by all things Chris Martin. That guy can write a sing-along sad song like nobody else. And they were exactly what I needed.

And then, the more you get into X&Y, and the more you listen to their other records, and the longer time is spent away from X&Y, you realize that X&Y is a hard album to come back to.

Though, still, I’ll rank it above Mylo Xyloto. X&Y has the hooks in every song, some have more than one, and that’s something I can’t say for anything on Mylo. But good songs need more than good hooks, in theory.

But, that summer and fall, as I was killing myself to live in California, Coldplay was one of the bands there for me.

And before that, both A Rush of Blood To The Head and Parachutes was vastly important to my getting over some incredibly tough times in college, bookending my time at OU. 

And even Viva La Vida was a necessary drug when it hit in 2008, and I remember getting home to LA from a few weeks away on a work shoot, landing at the airport, and heading straight to the Forum to catch the Viva La Vida tour stop. 

(I was in New York when the Prospekt’s March ep dropped, and I remember walking through Central Park in November listening to “Life In Technicolor ii” and loving it.)

So when Mylo hit, and it just laid there, flat, like a dead mouse the cat drug in, I didn’t know what to do. Throw it away? Pretend it’ll get better?

I admit I haven’t gone back to it, since the first few attempts to slog through it. Maybe I’m missing something. (I’m not.)

But, in any event, even though I am not a fan of the new album, they still remain a perennially favorite band, and I can listen to A Rush of Blood To The Head over and over forever.

philnoto:

In honor of the Fantastic Four’s 50th Anniversary- Sue, Reed and Ben

This is fantastic.
One, because absolutely Sue and Reed would have been hanging with the Kennedy’s in the 60’s, and that’s why X-Men: First Class is one of the better Marvel movies of recent memory, because it takes place in the time period that the comics originated. Reed Richards is the original Don Draper, albeit without the booze and whores. And Sue Storm is one of the most beautiful women in comics.
And two, because FIFTY YEARS! The Fantastic Four, published in 1961, gave birth to the Marvel Comics universe, all while being about a FAMILY. In theory, issue #600 of the worlds greatest comics magazine, THE FANTASTIC FOUR, hits stands in November, and what an accomplishment. Sure, other titles have got there faster or first (issue #666 of The Amazing Spider-Man hit two weeks ago, and issue #900 of Action Comics [feat. Superman] hit earlier this summer), but it’s still a magnificent benchmark when you think of what other forms of popular culture, across any of the mediums, has lasted A) for fifty years and B) continued telling ORIGINAL stories for the past five decades.
It’s a short list.
Soap operas are the only comparison that holds up, although even those are getting cancelled left and right. James Bond is the only film franchise to continually tell stories over that time period, though with only 22 movies to date. And perhaps The Rolling Stones, although, really, does anyone care about the Stones music after ‘81 (and really, after ‘78)?
So for Marvel’s first family, for the original imaginauts and challengers of the fantastic, for Reed and Sue Richards and their kids Val and Franklin and for uncle Johnny; for the ever-lovin’ blue eyed Thing aka Aunt Petunia’s favorite nephew Ben Grimm; for Dr Doom and The Mole Man and Galactus and The Silver Surfer and The Inhumans and The Watcher and all the other characters that inhabit the grand universe surrounding them; for all of that fantastical creativity to still exist fifty years later, that my friends is a glorious, wonderful feat and accomplishment.
The Fantastic Four comic book inspired and launched the Marvel Comics brand, while inside the Marvel Universe the actual Fantastic Four inspired and nurtured every generation of heroes since, and in our world, the storytelling, characters, art, and very idea of The Fantastic Four inspired and changed the lives of thousands of writers and artists across the mediums of television, film, art, comic books and even music.
It’s hard to imagine a world without them, and even if you’ve never read their books, your life would be worse without the FF. Without them, would we have Spider-Man? Would we have The Avengers? The X-Men?
The Fantastic Four are the cornerstone of the Marvel Universe, and  without them Spider-Man and Captain America and Iron Man and the Hulk  and the X-Men would be lost and nonexistent. Can you imagine your youth  or teenage years or your twenties without the presence of those guys?  Outside of Marvel, a lot of the other comics published in the 60’s were a  direct result of trying to compete with what the FF and Marvel were  doing.
So without the FF, would Marvel Comics, and the silver age of comics, have folded completely? Without the sheer onslaught of creativity contained within the first 100 issues of The Fantastic Four, would we have even half of the talented writers and artists working in Hollywood today, who continually and constantly draw from Stan Lee and Jack Kirby’s legendary run? We would surely not have The Incredibles, arguably the best Fantastic Four movie the world will ever see. Can you imagine the last decade of movies without the presence of superheros? Can you imagine the next decade?
Fifty years later, Hollywood and Popular Culture continue to draw from comic books published fifty plus years ago. Superhero movies are a billion dollar idea industry in and of themselves.And not just films, but television and video games and cartoons and the current comic book industry are all inspired and benefit from the four-color adventures of Marvel’s first family published half a century ago.
Our world is a better place with the Fantastic Four in it.
My world is a better place with the Fantastic Four in it.
So Happy Birthday, Reed and Sue and Ben and Johnny. 
Here’s to another fantastic fifty years.

philnoto:

In honor of the Fantastic Four’s 50th Anniversary- Sue, Reed and Ben

This is fantastic.

One, because absolutely Sue and Reed would have been hanging with the Kennedy’s in the 60’s, and that’s why X-Men: First Class is one of the better Marvel movies of recent memory, because it takes place in the time period that the comics originated. Reed Richards is the original Don Draper, albeit without the booze and whores. And Sue Storm is one of the most beautiful women in comics.

And two, because FIFTY YEARS! The Fantastic Four, published in 1961, gave birth to the Marvel Comics universe, all while being about a FAMILY. In theory, issue #600 of the worlds greatest comics magazine, THE FANTASTIC FOUR, hits stands in November, and what an accomplishment. Sure, other titles have got there faster or first (issue #666 of The Amazing Spider-Man hit two weeks ago, and issue #900 of Action Comics [feat. Superman] hit earlier this summer), but it’s still a magnificent benchmark when you think of what other forms of popular culture, across any of the mediums, has lasted A) for fifty years and B) continued telling ORIGINAL stories for the past five decades.

It’s a short list.

Soap operas are the only comparison that holds up, although even those are getting cancelled left and right. James Bond is the only film franchise to continually tell stories over that time period, though with only 22 movies to date. And perhaps The Rolling Stones, although, really, does anyone care about the Stones music after ‘81 (and really, after ‘78)?

So for Marvel’s first family, for the original imaginauts and challengers of the fantastic, for Reed and Sue Richards and their kids Val and Franklin and for uncle Johnny; for the ever-lovin’ blue eyed Thing aka Aunt Petunia’s favorite nephew Ben Grimm; for Dr Doom and The Mole Man and Galactus and The Silver Surfer and The Inhumans and The Watcher and all the other characters that inhabit the grand universe surrounding them; for all of that fantastical creativity to still exist fifty years later, that my friends is a glorious, wonderful feat and accomplishment.

The Fantastic Four comic book inspired and launched the Marvel Comics brand, while inside the Marvel Universe the actual Fantastic Four inspired and nurtured every generation of heroes since, and in our world, the storytelling, characters, art, and very idea of The Fantastic Four inspired and changed the lives of thousands of writers and artists across the mediums of television, film, art, comic books and even music.

It’s hard to imagine a world without them, and even if you’ve never read their books, your life would be worse without the FF. Without them, would we have Spider-Man? Would we have The Avengers? The X-Men?

The Fantastic Four are the cornerstone of the Marvel Universe, and without them Spider-Man and Captain America and Iron Man and the Hulk and the X-Men would be lost and nonexistent. Can you imagine your youth or teenage years or your twenties without the presence of those guys? Outside of Marvel, a lot of the other comics published in the 60’s were a direct result of trying to compete with what the FF and Marvel were doing.

So without the FF, would Marvel Comics, and the silver age of comics, have folded completely? Without the sheer onslaught of creativity contained within the first 100 issues of The Fantastic Four, would we have even half of the talented writers and artists working in Hollywood today, who continually and constantly draw from Stan Lee and Jack Kirby’s legendary run? We would surely not have The Incredibles, arguably the best Fantastic Four movie the world will ever see. Can you imagine the last decade of movies without the presence of superheros? Can you imagine the next decade?

Fifty years later, Hollywood and Popular Culture continue to draw from comic books published fifty plus years ago. Superhero movies are a billion dollar idea industry in and of themselves.And not just films, but television and video games and cartoons and the current comic book industry are all inspired and benefit from the four-color adventures of Marvel’s first family published half a century ago.

Our world is a better place with the Fantastic Four in it.

My world is a better place with the Fantastic Four in it.

So Happy Birthday, Reed and Sue and Ben and Johnny.

Here’s to another fantastic fifty years.

My City of Ruins

Yesterday was the 15th anniversary of the Murrah Bombing, an event that has particular importance to anyone who lived in/around Oklahoma City on April 19th 1995, and for everyone else in America I feel like it’s just another “oh, let’s remember that tragedy again via never-ending footage on CNN” day.

Of which this country has many.

There’s no real need to delve back through the memories or feelings or recollections of what April 19th 1995 meant to me, as I was in 7th grade and the “memories” I have now are the “shared memories” that have evolved over time, the same “memories” that every middle school student in OKC has, even if they don’t tacitly remember what happened at the time. Because at the time, you don’t think, “wow, the door just rattled, I must remember this for the rest of my life for the preserved historical record.” Instead it turns into something you say 15 years later: “I was sitting in Mr. Brent’s social studies class at 9:02 when the doors and windows rattled. I knew then something was amiss in the world. That was the day I lost my innocence.”

But at the time, we were seventh graders, none of us had cell phones or mobile devices or laptops or the Internet. We weren’t tapped into twitter and facebook and 24 hour news cycles and blogs. We weren’t connected to the world at large not because we couldn’t be as much as we didn’t have to be. As a seventh grader at Hefner Middle School in Oklahoma City, our greatest daily tragedies included missing the bus to or from school, what we would eat if they ran out of Pizza Hut pizza in the cafeteria, or who would play pop-a-shot with us at lunch. If drugs or sex or gang violence existed then, I wasn’t aware of it. We were sheltered. (Most kids I knew weren’t allowed to watch MTV or rated R movies. They did, anyways, but they weren’t allowed to. And this was when MTV showed music, not a cavalcade of reality stars trying to have sex with other reality stars.)

We went about our morning, and at some point an announcement was made, what was said, who can say. Again we weren’t living in a defined historical moment, at least, not one we knew of then. At some point someone said, “Something happened downtown.” For me, downtown was a world away from Northwest Oklahoma City. It was somewhere you went for New Years Eve. They didn’t have baseball or NBA or even, really, Bricktown down there at that point. I think I would have been more affected if someone had said, “Something happened at Quail Springs Mall.”

If they told us a bomb went off, it didn’t register with any sense of impending dread, or at least I didn’t feel like we were told what really happened. I’m kindof positive that kids were allowed to call their parents, and I’m mostly positive teachers whispered in hushed tones. What did they know versus what they would tell us? Do I remember Mr. Brent telling out social studies class something about what happened, then saying something to settle our anxieties? Did he lead us in prayer? Did they ask us if any of our parents worked downtown, and then let those kids go to the office to make a phone call which would shape the rest of their lives?

I don’t remember. I’d like to say I remember not understanding what was going on, but I don’t even know if that was true.

It wasn’t until school let out, at the normal time, and I caught the bus home, and I turned on the TV to see what all the fuss was about. And it was on every channel, and it was loud and chaotic and it was real.

And that’s when you see the images that are ingrained in our consciousness and that were already there, thanks to Hollywood, and continue to be there, thanks to Hollywood and continued terrorism both foreign and domestic.

Smoke pouring from the ruined and twisted husk of a building, a building I don’t remember ever visiting or knowing even existed. Firefighters and newsmen and police and, just, people pouring in and over wreckage and debris. Did I see the ash-covered fireman cradling the baby live or just in pictures later? What of the Murrah Bombing do I remember and what of it do I just think I remember?

I know my mother was out of town at a conference. I know my father, at that time working somewhere near 3434 West Reno (near Mathis Bros), had every window in his office blown out. I know my brothers were on a field trip to see some orchestra or musical event downtown, an event that only later revealed itself to be important, should they have chosen to blow up the Civic Center with all of its elementary school kids. I remember getting calls at the house from relatives and family friends I never talked to and never heard of and probably haven’t talked to since. And I remember my grandmother, my mother’s mother, coming down to take care of us that night.

And I went to school the next day. And the day after.

And a year later we had a minute of remembrance at 9:02 am.

And three years and one day after that, at close to the exact same time, I remember our high school going on some sort of lock-down because two kids in Columbine, CO turned their high school into a shooting gallery.

And two years and five months after that, I remember watching the New York skyline crumble into ash and fire and blood.

So if I don’t remember being entirely affected by April 19th 1995, it’s because by now that’s just part of our history, and we’ve faced worse and we’ve dealt with more of the same. I was young and naive and innocent to the horrors and reality of the world in 7th grade, and I was a little older and little wiser but still naive to the tragedies of human kind as high school kids were shooting other high school kids when I was a junior, and as a sophomore in college I was much older and much more connected to the world when the first plane turned south.

We’ve grown up in American tragedy, but so has every generation. Our parents had Vietnam, and the assassinations of Martin Luther King Jr and two Kennedy’s. Their parents had World War II, and with that Pearl Harbor. We can trace our national tragedies back through the dust bowl, Black Tuesday, World War I, presidential assassinations, the War between the States, and the revolution that brought us our very freedom.

That’s America. It’s a nation born in blood and baptized in strife.

We have lived in incredible times, and we have lived through incredible tragedies. Just as our parents saw their future disappear in Dealy plaza, so did they see a man walk on the moon.

We have seen our entire generation impacted and defined by the events of September 11th, but also by the election a year prior to that, and perhaps more so by the election of 2008. We have come so far from our beginnings as pilgrims and protestants, from Indians and immigrants. And yet we still have so far to go.

Our nation was born in blood, and every generation strives to make it safer for the next. And yet each time, we fail. We fail not because we don’t try, but because we don’t believe that it can ever get worse. We believe that the time we’re living in is better than the time before, and there’s no way it can be worse for our kids. Is that not hope? Is that not another less-publicized facet of the American dream? (“Is a dream a lie if it don’t come true, or is it something worse?” )

Even now as we live through a recession while fighting two wars, we still believe this is a great time to be living in this country. And though we are told via the media that we’re giving our children mountains of debt and a ruined environment, we honestly really continue to see the future as a more glorious place.

Rather, that’s what we should believe. We absolutely should believe our children will have a better world to live in because we absolutely should be ensuring that world. The future, that’s the real manifest destiny of these United States. It’s the westward expansion into the generations of America yet-to-come.

So yes, yesterday was important to those of us who felt the doors shake in a middle school classroom fifteen years ago, or who at least think we remember that. Just as today is important for those who lived in fear of simply going to school eleven years ago. Just as every day is important somewhere to someone for something.

Our history is made up of remembering tragedies because without those tragedies we wouldn’t have any history. The dates of our lowest moments are also our greatest. Without moments of strife we have nothing to fight for or against. We remember and are reminded.

July 4th 1776.

December 7th 1941.

November 22nd 1963.

September 11th 2001.

April 19th 1995.

This link is to the Stillwater newspaper, reporting on the terrible story that a bolt of lightning hit the kitchen of Lucille’s Restaurant in Mulhall, OK early Wednesday morning, destroying the restaurant interior.

Some things to know about why I have a slightly vested interest in this story:

Mulhall, located between Guthrie and Stillwater, is a quiet, rural town, not without it’s charms. My family’s history is intertwined with Mulhall’s history, and after my grandmother died last year, it marked the first time since the towns founding in 1889 that no member of my family has lived there.

Mulhall, founded after the Land Run of 1889, was once a bustling town. The Mulhall family, including patriarch Zack and his daughter, Lucille, whom the restaurant is named for, lived just outside of town. Lucille would grow up to be the worlds first Cowgirl, earning the name from Will Rogers himself. She would also go on hunts for wolves and other creatures with sitting president Teddy Roosevelt, who didn’t believe she could catch a wolf with her bare hands. She did, dragging it out of the woods to show him.

The town was still prosperous, like most OK towns, throughout the early 1900’s. Eventually Guthrie would lose it’s State Capitol standing, and would be hit hard by the Great Depression and the entropy that began then never quite let up.

Lucille’s is/was located in the Old Bank building, built in 1894. It’s the oldest building in Mulhall, after the May 3rd Tornadoes of 1999 destroyed about 90% of the town.

The Old Bank, named because it was the old bank of Mulhall in the heyday, was, prior to being Lucille’s, owned by my family. My grandfather, actually.

After the May 3rd Tornadoes destroyed the towns other restaurants, my grandfather sold the bank to the men who now run Lucille’s. Lucille’s made around $20,000 in taxes for the city of Mulhall per month, so the town will definitely feel this pinch.

Across the street from Lucille’s is an old John Deere store, which the owners of Lucille’s are now using as a temporary office after this mornings fire.

The John Deere store was my grandfathers, and he owned and operated it for his entire life until shortly after the May 3rd Tornadoes. We sold most of the old tractor parts in various sales over the years, and just sold the store itself to Lucille’s so they could make an annex. (My brother, my cousins and I had been using the warehouse of the store for our own personal storage units, as it holds pretty much all the old furniture I had in the House Off Rye from my college days in Norman.)

This, in addition to the fact that my family just sold my grandparents house in Mulhall, means we don’t own quite as much land there as we used to. (At least, not in the town itself. Where we once owned more than half of the downtown area, we’ve sold most of the property since the May 3rd Tornadoes in an effort to help rebuild the town.)

We still own about 1,200 acres of land around Mulhall, including the land just east of town where my great-great-grandfather Issac Johnson, as a Sooner, claimed land illegally in the Land Run of 1889. “Sooner born and Sooner bred”

This piece of land once featured a beautiful barn and house, built by my ancestors, but all of it was wiped off the face of the earth by the gusts of the F4 (possibly F5) tornadoes on May 3rd, 1999. The storm quickly decimated the already-dying town. So devastated was the town that most of the residents didn’t even rebuild; they just left. Many did rebuild, over time, but the damage was already done.

Hardest hit was the Mulhall cemetery, which saw all of it’s trees ripped away and torn asunder. My brother Casy, for his Eagle Scout service project, planted several dozen trees around the cemetery in the summer of 2000, as well as improving the cemetery and cleaning up the wreckage cause by the 1999 storm.

A year after, in 2001, he would be buried there, under the very saplings he planted. Of the 40+ trees he planted, only one died over the last 8 years.

As I said, Mulhall means a great deal to me and my family, and the loss of Lucille’s will be felt hard by the still devastated town. I hope they can rebuild and move on.

Mulhall celebrated it’s 120th birthday this year. I hope it sees a 120 more.