radiomaru:


I see this reblogged a lot. (it’s from Scott Pilgrim Volume 6, aka the ending). this time i was looking at it and i’m like “hmmmmm… she shouldnt really look any shorter than him, cause she’s wearing GIANT HEELS in this scene…”
That’s my life, y’all


I wanna get unstuck. 
(Did I post this already? This is another this has been in my drafts for over a year now posts. I am pretty sure I already published this. Oh well.)

radiomaru:

I see this reblogged a lot. (it’s from Scott Pilgrim Volume 6, aka the ending). this time i was looking at it and i’m like “hmmmmm… she shouldnt really look any shorter than him, cause she’s wearing GIANT HEELS in this scene…”

That’s my life, y’all

I wanna get unstuck.

(Did I post this already? This is another this has been in my drafts for over a year now posts. I am pretty sure I already published this. Oh well.)

(Source: pikapocky)

This has been in my drafts for over a year now. Time to publish.

This has been in my drafts for over a year now. Time to publish.

(via hipst3rectomy)

oliversava:

Mindblowing preview of the next Hawkguy spotlighting Pizza Dog. Aja gettin that Eisner.

Source: CBR

Man you guys the Hawkeyecomic is the besssssst.

And also, while watching Avengers for the seventh time in theaters last night as part of the Iron Man Marathon (Iron Man Three is pretty fucking great), all I could think was: I want a Matt Fraction written, Jeremy Renner starring Hawkeye movie. Can we get on that, universe?

(via mattfractionblog)

Words, Phrases, And Pieces Of Our Speaking Vocabulary I’ve Heard Repeated Ad Nauseum In Interviews And We Should Strike Them From Our Lexicon Immediately

You know.

Like I said.

So.

The bottom line.

I mean.

It’s just.

Like.

davidseger:

Car-Jumper - Episode 8

Hey, the new Channel 101 shows are live! Check out Car-Jumper #8. Also, if you haven’t seen it, check out Tom Kauffman’s cancelled show Strands.

This episode was a fun in-joke experiment, and I’m glad we didn’t suffer from it. I want to keep playing around and trying fun things with Car-Jumper forever. See you at the end of May.

I drove the camera car in this. It was a fucking blast. :)

There’s also a really shitty actor playing the medic. He apologizes to all involved.

Ask yourself: What will you sacrifice for what you believe?

Thor: The Dark World under the direction of Game of Thrones director Alan Taylor looks even more fantastic and brutal than I dared hope. 

November can’t come soon enough.

GPOY.

GPOY.

(Source: mattfractionblog)

The as-yet-unedited/unphotoshopped/un-logo’d photobooth proofs from Geokat’s weekend wedding.

You go to enough weddings alone, you get really good at solo photoboothing.

Can’t. Wait.

Can’t. Wait.

"

So I’d moved out to L.A., no agent, no manager, no life. I was screwed. I owed everybody money. I was really in a bad place. I was hanging out with this really great friend of mine, Greg Dulli, from Afghan Whigs. I was living on the couch of the guys from Bullet LaVolta. They were recording a record in L.A., and then they were like, “Okay, dude, we’re going back to Boston next week!” And I said, “Well, what about me?” They’re like, “Uh, you’re an adult. Tough shit.” [Laughs.] “We’re not your parents.”

So I found this place to live, taking care of dogs in South Central. I quit drinking, because I was out of my mind, and I got a job as a janitor at a drug and alcohol center, and I didn’t care about acting or… anything, really. For the first time in my life, I was like, “Oh, man. Thank you, God, for this turkey sandwich!” [Laughs.]

People were talking shit about L.A., my friends in New York, but I was like, “To me, L.A. is Tibet!”

"

The great, great Donal Logue talking Random Roles over at the AV Club. I always love reading, and will never get tired of hearing, “I moved to LA and was broke and struggled and still struggle” stories, especially those of people you admire.

We’re all in this together.

As Donal Logue continues:

I’ve also found over the years that those environments are usually welcoming. People want people to do well. You can get focused on the bitter side of it, like, “Everybody wants you to fail, everybody’s keeping the door closed to you,” but that’s not true at all. Everybody’s kind of in the same boat. Everybody’s kind of a freelancer. If Phil Alden Robinson doesn’t keep writing hit scripts or big movies, then he goes somewhere else. The same with the executives and stuff.

Seventeen and all your dreams are knocking on your front door.
Twenty five you realize that nothing is the same as before.

Where did we go, Where did we go, Where did we go all of those years?
How did we end up, How did we end up, How did we end up here?
And is it all a lie?

He was the one who promised you the sun, the moon, the stars and all above.
Now he is the one who hurt you, scared you, bruised you, left you scared of love.

Where did we go, Where did we go, Where did we go and where have I been?
Who am I now, Who am I now, Who am I now, and who was I then?
And is it all a lie?

And is it all a lie?

My bones are tired but they’re still shaking.
And my heart is torn, but its done breaking.
And my hope is set on things unseen.
Yeah, your light, it has come to the darkest place of me.

My bones are tired but they’re still shaking.
My heart is torn, but it is done breaking.
And my hope is set on things unseen.
Yeah, your light it has come to set me free.

Been listening to this a lot lately.

These heroes in a halfshell should be available everywhere June 6th.

Last July, the most widely ridiculed episode of Aaron Sorkin’s “The Newsroom” aired. Titled “I’ll Try to Fix You,” it climaxed with the shooting of Gabrielle Giffords. The staff of “News Night,” assembled at the office on a Saturday, quickly went into action, as the sound of Coldplay’s “Fix You” began to play on the soundtrack. Other news agencies— NPR, and then Fox, MSNBC and CNN— began to report that Giffords was dead. The crass head of ratings stormed into the newsroom and demanded that the “News Night” team “call” Giffords’ death: “Every second you’re not current a thousand people are changing the channel! That’s the business you’re in,” he shouted, looking to his typical ally, the cynical producer Don, for support. Don didn’t provide any: “She’s a person. A doctor pronounces her dead, not the news,” he said. Jeff Daniels’ Will McAvoy then made the righteous choice, deciding not to announce Giffords’ death on air, but to stick to the facts. Seconds later, word came that Giffords was alive and headed for surgery. The “News Night” team, virtuous resistor of peer-pressure, had made the right call. The Coldplay swelled.

This segment cemented what was so noxious about “Newsroom,” overwrought self-importance and self-righteousness papered over with cheese-ball sentimentality. (Coldplay, really?) The episode made the most important aspect of Gabrielle Giffords’ shooting a fictional cable news show: as Esquire put it when the episode aired,  “Sorkin isn’t interested in the story of Gabby Giffords, per se, much less in the six people who died that day, who don’t rate a mention here. He has a meta-journalism point to make.” And the tone in making that point was supremely grandiose, as if a make believe news crew, with hindsight and a script from Aaron Sorkin, really were “saving” the news.

But in the nine months since “I’ll Try To Fix You” aired, something strange has happened: while still mocked, the episode has become prescriptive and culturally omnipresent. Every time one of the cable news networks disseminates wrongful information — as CNN did yesterday when it reported a “dark skinned” suspect had been taken into custody in the Boston bombings only to spend an hour walking that particular untruth back— twitter fills up with jokes about “The Newsroom.” Every time the cable networks mess up in the way— as they did by IDing Ryan Lanza as the shooter at Newtown, as they did yesterday, as they did before “Newsroom” ever aired with the botching of Affordable Care Act decision  — we now describe it, even as we sneer, in terms of “The Newsroom.” “My Twitter feed just wrote an episode of The Newsroom,” someone tweeted yesterday.

There’s no journalism in journalism any more.

"Okay, I need just another moment of your time, then you can go back to being crazy."

— Jeremy Goodwin, “Kyle Whitaker’s Got Two Sacks”, Sports Night season two.

honey-rider:

rebelsandreverb:

annelisexo:

The Beach Boys have no data for Texas :(

I’m hip and stylish!

True.

Those Midwest farmers daughters…

honey-rider:

rebelsandreverb:

annelisexo:

The Beach Boys have no data for Texas :(

I’m hip and stylish!

True.

Those Midwest farmers daughters…

(via mattfractionblog)